William Eggleston’s Stranded in Canton

Published February 19, 2010 by Graham

Veritable patriarch of contemporary photography William Eggleston is essentially the king of color. But this feature-length film, Stranded in Canton, demonstrates just how masterful of an aesthete Eggleston is– color or no color, frozen images on film or slices of life on video tape.

Shot in the early ’70s on Sony’s revolutionary portable video recorder, Stranded in Canton is a marvel of documentary cinema. It strings together a wildly diverse set of scenes with no narrative thread to speak of, and yet leaves you with an impression of intimacy and voyeuristic thrill.

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One comment so far

  1. m gubia says:

    yes, marvellous. quite.

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