Allison Grant

Published June 11, 2009 by Graham

allisongrant1

Allison Grant’s photography weaves together natural landscapes and synthetic materials. It can often be disorienting trying to discern the origin of Grant’s images: is this a piece of black tin foil, or a strip-mined mountain? Where Semâ Bekirovic underlines the contrast between human-made objects and natural ones, Grant obscures it, hinting at the places in which they coalesce. This seems less of an attempt to reconcile our disposable culture with the natural world and more like an ominous warning that we may have forgotten the difference. From her artist statement:

In the face of environmental crisis, we have come to realize that our human-made products may outlast nature as we know it. In contradiction to this awareness, advertisers and organizations have responded to the green movement by increasingly using photographs and other representations of nature that evoke an unattainable ideal. Using illusion, I allude to the wide spread simulation of nature in our built environments and image culture, and the simultaneous deterioration of wilderness in reality. Tensions between fact and facsimile, nature and artificiality, and permanence and disposability can be found in my photographs. This echoes the wilderness of our modern existence: constructed, idealized, mediated, and, therefore, inaccessible.

allisongrant2

Share:
  • Facebook
  • del.icio.us
  • Digg
  • MySpace
  • Tumblr
  • StumbleUpon
  • TwitThis
  • E-mail this story to a friend!

Tags: , , , ,

One comment so far

  1. These are very cool.

    I have never saw anything like these before.

    Very artistic…

Comment